which of the following does not describe melodic imitation?

A single voice takes the melody while the accompanying voices are Wide dynamic range and repetition in the melody to express deep feelings. Describe the texture of Bach's Jesu, Joy of Man's Desiring. Which of the following was not a member of the Five? . The beat is not very evident because different melodies overlap with each other; each melodic line has rhythmic independence; imitation of the main melody is a common device used by composers. True or false: Josquin Desprez, one of the greatest Renaissance . It manifested itself mainly in Western Europe, although due to colonialism it also . The Renaissance may be described as an age in which: Individualism, humanism, and secular values started to flourish once again. Romantic composers worked with traditional forms but expanded them in innovative ways to meet their expressive needs. What is this composers name? Melodic imitation. Baroque _ AcademiaLab c. the way it moves. style improvisation on a long-note tenor. 2) creates polyphonic texture. England's break with the Roman Catholic Church came during ___________ reign. Elegance, delicacy, softness, and playfulness. range. Fugue - Elements of the fugue | Britannica Music Appreciation Flashcards The Italian genre in which the musical lines follow each other as in a hunt is: 3.) Which of the following characterizes the music of Hildegard of Bingen? Identify whether the following examples are associated mostly with France or Italy (answers may be used more than once): rondeau, 3.) Which of the following statements are true of the texture in Josquin's Ave Mariavirgo serena? Texture is often described in regard to the density, or thickness, and range, or width, between lowest and highest pitches, in relative terms as well as more . Melody | Music 101 - Lumen Learning In the medieval monastery, the most elaborate service with the most elaborate music was: In the medieval period, a sacred play with music came to be called: a mnemonic device for remembering the musical. The interweaving of melodic and harmonic elements in the musical fabric, Single-line texture, or melody without accompaniment, Two or more melodic lines combined into a multi-voice texture, The art of combining in a single texture two or more simultaneous melodic lines, Texture with a principal melody and accompanying harmony, Melodic idea presented in one voice or part and then restated in another, each part continuing as others enter, Type of polyphonic composition in which one musical line strictly imitates another at a fixed time interval throughout, Perpetual canon at the unison in which each voice enters in succession with the same melody, Texture in which all voices or lines move together in the same rhythm.