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"Children of the Grave" (maybe) In his autobiography Iron Man: My Journey Through Heaven and Hell with Black Sabbath, Iommi describes the difficulty Osbourne also experienced recording the vocal: "It has this slow bit, but then the riff where Osbourne comes in is very fast. The song "Solitude" showcases guitarist Iommi's multi-instrumental talents, featuring him playing guitar, flute, and piano. Adieu, my love, adieu! One thing that doesn't really get talked about regarding Black Sabbath, beginning with Master of Reality is just how . Bill's kit sounds as clear as ever, and Ozzy is mixed to the fore. Some early German, US and Canadian pressings had the title incorrectly printed on the record labels as 'Masters Of Reality'. But, if a core of five songs seems slight for a classic album, it's also important to note that those five songs represent a nearly bottomless bag of tricks, many of which are still being imitated and explored decades later. Based around a medieval chord progression, Iommi and Butler paint a perfect smooth picture, while Osbourne's vocals are augmented by a flute. It is prominent in every second of every song and has paved the way for countless other bands to follow suit . Iommis clean soloing is not as exciting as usual though. Black Sabbath on the other hand promised to deliver their heaviest effort yet. Lord of this World is a bit weaker but still great, with its fantastic chorus, and Into the Void is another monster of heaviness, even containig a little thrashy part on it. It drifts from trailing Tonys parts to following Ozzys vocals in an almost dancing manner. And now we simply have the greatest metal song in history. Black Sabbath were enjoying a high unlike most metal bands. The slower songs contrast with the heavy songs and the darker songs contrast with the lighter ones. will aggravate those who pay attention, so I advise just immersing yourself in the riffs and letting them flow over you, because musically speaking the song is still a treat - yet another showcase for Iommi's fuzzy riffs, with the repetitive structure set against Ozzy's chantlike vocals giving the song a hypnotic quality. Necessity in the sense that Tony Iommis injury to his hand, which occurred before Sabbath recorded their first album, required him to further down tune his guitar in order to reduce the resistance of the strings. This record is a monster, a real state of mind, this boggy swamp monster emerging from the abyss and shedding islands from it's shaggy back. Tony Iommi's Amplifiers Like the Gibson SG, Iommi's Laney Amplifiers have been the cornerstone of his rig since the beginning. "Master of Reality" also features a pair of 'interlude' tracks that work best as experimental sketches. This doesnt solve his loneliness as such, but he has bigger problems now. Im listening to a Black Sabbath album. Oh, and, I should mention: the fucking riffs on this album, and indeed on this song, are some of the best ever recorded. As stated before, this album has a more simplistic approach to structure than the previous albums, but this does not mean that we dont have any progressive moments. I won't even say that this is a non-album; Master Of Reality is an anti-album, where little to nothing happens, nothing is said and little to nothing is done. Planet Caravan is one of the more abstract Sabbath songs and as such a typically Butler-esque affair and if anything its strangely close to Into the Void in terms of lyrical themes, whereas Solitude is the sound of road-weary band in some distant hotel room just getting high and jamming because theres nothing else to do.