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At HB Motorsport Photography, we believe all events can be successful. You can also select your interests for free access to our premium training: If youre passionate about motorsport photography, then you know that capturing the right moment is key. If everything is sharp, use a slower shutter speed. 5 Best Camera For Motorsport Photography | Best Cameras Lens In my other life as an event organiser you wouldnt believe the number of people I had to remove to being in a (very) dangerous position. It can also make for a more exciting shot, with the car's wheels turned as it bounces over the curbs, or the bike leaning into the corner. We were seriously impressed with the R3 when we got to do hands-on with it. We strive to help promoters promote their shows and events. You need a fast shutter speed for motorsport photography, so this should be the setting you base all others around. The Other Side of the Fence: Six Decades of Motorsport Photography Forgot your Password? It also prevents any rival photographers seeing a picture I might have got from a unique location! Panning works with subjects moving from one side of the image to the other. In this mode, youll choose a general part of the frame to focus on. Unless you have a media permit to photograph your motorsport event then you'll almost inevitably be stuck behind a large safety fence. 2. Yes I did some trials bike shooting a while back with the photographer who works for Silverstone - really awesome textures in the dirt. Learn how to capture tack-sharp panning images and freeze the action on tight . 4k views. You need a fast shutter speed for motorsport photography, so this should be the setting you base all others around. Anticipation is key to all sports photography and motorsports is no exception. As an Amazon Associate, I earn from qualifying purchases. More important however, is thinking about the composition. 6. They look like fast moving works of art. So even when I'm taking a picture, I'm thinking about which parts of a shot it is important to preserve detail in, and which parts are easier to adjust later in post production. Practice and trips to the gym help but having a lighter lens helps too. In order to do this you need to pan your camera to follow the subject as they move through the frame. Image by Tony Harrison. For static subjects perhaps I'd prefer the heavier lens but for motor sports I'm somewhat agnostic but favouring the 70 - 300 when f/2.8 isn't necessary. Drew points out that the image files maintain a good level of quality at high ISO settings, which is important for him as an endurance racing photographer, as many of the races hecovers run through the night.